Erotic Love Story 99 Moons Attracts First Buyers as Film Premiere in Cannes (EXCLUSIVE)

Erotic Love Story 99 Moons Attracts First Buyers as Film Premiere in Cannes (EXCLUSIVE)

Erotic love story “99 Moons,” which has its world premiere in Cannes’ ACID sidebar today, has kicked off international sales. Berlin-based M-Appeal is handling the rights to the film, which is directed by Jan Gassmann.

Arthouse VOD platform Filmin has taken the rights in Spain, and arthouse distributor StraDa Films has taken the films for Greece. France and Latin America are in negotiation. Alamode Films has the rights to the film for Germany and Austria. The Swiss distributor is Filmcoopi Zürich AG.

The film centers on Bigna, a 28-year-old scientist, and 33-year-old Frank. Bigna is used to having everything under control, even her erotic desires follow rules. Frank searches for meaning in a haze of drugs, feeding on other people’s affection. Their different worlds collide, and they become obsessively entwined in a passionate affair.

Filmin’s acquisitions manager and programmer Joan Sala said: ” ’99 Moons’ is the kind of title we’re really proud to handle. Insightful and utterly honest with a bold and very strong cinematic approach. A very unique film that has a lot to reveal about sex and human relationships.”

Takis Veremis, CEO StraDa Films, said it was “the sexiest arthouse film I have seen in years since ‘La vie d’Adèle’ (‘Blue Is the Warmest Color’), which we distributed.”

First-time actors Valentina Di Pace and Dominik Fellmann lead this “amour fou” story.

“99 Moons” is Gassmann’s third feature film, and he is “not new to making films with a free and uninhibited approach to romance and sex,” M-Appeal said. “While his documentary ‘Europe, She Loves’ (2016) followed four couples, ‘99 Moons’ translates these themes to fiction, this time exploring the mechanisms of love and power by focusing on one couple. With unflinching intimacy, the raw cinematography (Yunus Roy Imer, ‘Systemcrasher’) brings the audience close to the secrets and conflicts of extreme erotic magnetism: the glue that traps two people in an addictive power play of attraction and rejection.’ “

Gassmann said the film was about “the desperate struggle for rationality in love, the tragedy of not being able to let go of one another. We are hooked, like junkies on dope.”

Working with an intimacy coordinator for each sex scene, detailed choreographies and predefined limits in terms of touch and camera angles were worked out in advance, M-Appeal explained. Gassmann added that allowing more freedom and trust, this process taught him a lot about communication in relation to intimacy on screen.

In his previous films, Gassmann has worked on the borderline between fiction and documentary. His 2007 documentary “Chrigu” was in competition at the Berlin Film Festival, and won the prize of the Ecumenical Jury. He has been back in Berlin twice, with “Off Beat” (2010) and “Europe, She Loves” (2016). His other movies, “Karma Shadub” (2013) and “Heimatland” (a 2015 omnibus film he initiated), won awards in the main competition sections at the Nyon and Max Ophüls festivals, respectively, and premiered at Locarno.

The producers are Reto Schaerli and Lukas Hobi. The production company is Zodiac Pictures, and the co-production companies are Swiss Radio and Television SRF. The film is supported by Bundesamt für Kultur (EDI), Zürcher Filmstiftung, Kulturfonds-Suissimage, Kanton Luzern and Media Desk Suisse.

 

 

 

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